Dvorak in Iowa project

A Dvorak Sighting

A project of Czech-Inspired Music

In January-April, 2010, a series of concerts celebrated Dvorak in Iowa. Conceived by Red Cedar Chamber music directors/artists Jan Boland and John Dowdall, the project reached traditional concert-goers, rural audiences, children in the classroom, workers in the workplace, and eventually even went to Caesar’s Palace in Vegas.

Why do we call this project a Dvorak Sighting? Because Antonin Dvorak lived in Spillville, Iowa in the summer of 1893. It was here that he wrote his famous string quartet, now known as the American Quartet.

Composer Harvey Sollberger used Dvorak’s string quartet as his inspiration when he wrote Spillville for flute, viola and guitar. Each of Sollberger’s four movements are, in essence, a “variation” of Dvorak’s four movements. Between each movement, Sollberger arranged a short familiar (to the Czechs) Czech folk tune.

Harvey Sollberger, Jan Boland, John Dowdall and the Avalon Quartet

The Red Cedar Trio (Jan Boland, flute, David Miller, viola – also Michael Kimber, viola – and John Dowdall, guitar) premiered the work in 2006. Red Cedar brought the project back again in 2010 and paired Sollberger’s Spillville with a performance of Dvorak’s American String Quartet. Artists performing Spillville were Jan Boland (flute), Anthony Devroye (viola) and John Dowdall (guitar). The Avalon Quartet (Northern Illinois University) performed Dvorak’s String Quartet on the second half of the program. Members of the Avalon Quartet are Blaise Magniere (vln), Marie Wang (vln), Anthony Devroye (vla) and Cheng-Hou Lee (cello). Violist Lisa Ponton also participated in January-March events.

The Spillville Trio was programmed again in 2012, substituting (with the permission of the composer) the cello for the viola. The final and fourth movement of the work, Hasty Retreat, can be heard in a live concert on YouTube.

SPONSORS:
Concert sponsor was the Iowa Arts Council. Artist sponsors were Margaret Haupt and Max Naxera.

Jan Boland John Dowdall Avalon Quartet

From left: John Dowdall (guitar), Cheng-Hou Lee (cello), Marie Wang (vln), Blaise Magniere (vln), Anthony Devroye (vla), and Jan Boland (flute).

Recording & Publication

Spillville Trio was recorded in July, 2011 on a compact disc titled Spillville and Gilead: Chamber Music by Harvey Sollberger and released by Fleur-de-Son Classics in October, 2012.  Recording artists are Tony Devroye (viola), Jan Boland (flute), and John Dowdall (guitar). The Sollberger “Gang-of-Five” helped to fund the compact disc recording – that “gang” included Chuck Peters, Joanne Chadima, Grinnell College, Laird & Patricia Addis and Clara “Peach” Moore.

Spillville & Gilead, Jan Boland, Tony Devroye, John Dowdall

Publication

Harvey Sollberger’s Spillville Trio for flute, viola and guitar is published by the American Composer’s Alliance.

Spillville is inspired by Antonin Dvorak’s String Quartet in F, Op. 96 – nicknamed the American Quartet – written when Dvorak lived in Spillville, Iowa, in the summer of 1893. Several residents of this tiny town kept diaries during his summer there. We know that Dvorak traveled by train from New York to Iowa, lived in a small 2nd floor apartment with his wife and children, and rose early in the morning to take long walks along the Turkey River. He was struck by the sparsely populated, wide-open country and the songs of birds unknown to him – especially the melody of the scarlet tanager. He always carried a pencil, but when he forgot his notebook, he wrote musical ideas on his starched shirt cuffs or shirt collar – much to the dismay of the woman who did his laundry. These musical ideas, reflecting Iowa’s landscape and wildlife, coalesced to become the American Quartet, an iconic masterpiece that bears the distinct musical stamp of Dvorak’s first impressions of Iowa.

Sollberger’s Spillville is a seven-movement work for flute, viola and guitar. Each of the four main movements is a reflection of the corresponding movement of Dvorak’s quartet. Spillville is a fascinating reinterpretation of Dvorák’s musical language as refracted through Harvey Sollberger’s twenty-first century prism. Between each movement is a little serenade – an arrangement of a Czech folk song – each scored for two instruments.


Concert Schedule
Dvorak Sighting Project: 2009-2010

• December 14–18, 2009 • 5-day Residency
Music for Kids. At Francis Marion Intermediate School, Marion, IA
• January 11–14, 2010 • 4-day Residency Music for Kids. At Johnson School for the Arts, Cedar Rapids, IA
• January 15 • 2 p.m. At Village Place, Marion, IA.
• January 16 • 2 p.m.  At Summit Pointe, Marion, IA..
• February 20 • 12 noon At Hiawatha Library, Hiawatha, IA.
• February 20 • 7 p.m. In Sedlacek Hall at Cottage Grove Place, Cedar Rapids, IA
• March 25 • 9–12 a.m. Music for Kids. At Starry or Emerson Elem. School, Marion, IA
• March 25 • 7 p.m. Family Concert at Lowe Park Arts & Environment Center, Marion, IA.
• April 7 • 2 p.m.  In the Great Room at Cottage Grove Place, Cedar Rapids, IA
• April 7 • 7 p.m. United Church of Monticello, Monticello, IA. Tkt.
• April 8 • 12 noon Production Floor Performance. Marion City Hall, Marion, IA.
• April 8 • 7 p.m. At Ainsworth Opera House, Ainsworth, IA.
• April 9 • 2 p.m. At Meth-Wick, Cedar Rapids, IA.
• April 9 • 8 p.m. The Sondheim Center, Fairfield, IA. Tkt.
• April 10 • 8 p.m.Main Stage Concert. A Dvorak Sighting. At First Presbyterian Church, Cedar Rapids, IA.

John Dowdall, Jan Boland, Harvey Sollberger, Lisa Ponton

Pictured from left: John Dowdall (guitar), Jan Boland (flute), Harvey Sollberger (composer), and Lisa Ponton (viola)

In Vegas

In August, 2012 Red Cedar Chamber Music was invited to perform Sollberger’s Spillville Trio at the national convention of the National Flute Association. The concert was held in Las Vegas on August 9, 2012 on a program devoted to a retrospective of the music of composer Harvey Sollberger.

About Spillville

Harvey Sollberger’s Spillville (2006) is a trio for flute, viola and guitar based on Antonin Dvorak’s beloved String Quartet in F, Op. 96 – nicknamed the American Quartet. Dvorak wrote the quartet while living in Spillville, Iowa in the summer of 1893.

In 2003, Red Cedar Chamber Music asked Harvey to join a consortium of Iowa composers who each wrote a one-minute variation on the opening theme of Dvorak’s Scherzo movement of the American Quartet. The resulting work, consisting of a theme and 15 variations, is titled Spillville Variations on a Theme by Dvorak. That project met with great success. A series of educational events and outreach concerts over a 12 month period culminated in a 2004 U.S. premiere at the National Czech & Slovak Museum and Library in Cedar Rapids, Iowa, followed by performances in New York City under the auspices of the Czech Center of New York, at the Czech Embassy in Washington D.C., at the National Gallery in Prague, and at the Brno Conservatory of Music in Brno, The Czech Republic. The work was recorded on a compact disc on the Fleur de Son Classics label titled Czech-Inspired.

At the conclusion of that project, Harvey was inspired to write a new trio for Red Cedar Chamber Music, which he titled simply Spillville. The four-movement work is based on the four movements of Dvorak’s Quartet. The third movement of this extended work is the same as the variation Sollberger wrote for the 2003 project described above. Between each movement is a little serenade – Sollberger’s arrangement of a Czech folk song – scored for two instruments. Spillville is a fascinating reinterpretation of Dvorák’s musical language as refracted through Sollberger’s twenty-first century prism.

Sollberger writes, “ I feel especially close – in an almost mystical way – to Dvorak’s Turkey River sojourn. Just a year before Dvorak’s 1893 visit to Iowa, my 20-year-old grandfather, Fritz Dennler, emigrated from Switzerland to Elgin, Iowa, a few miles downstream from Spillville. In a way I can’t explain, his and Dvorak’s being “neighbors” brings Dvorak closer to me: Dvorak is MY neighbor.”

Audience Comments
Dvorak Sighting concerts 2010

“Makes me want to go home and practice! Harvey’s ‘Spillville’—wonderful.”

“Extraordinary! Your music is inspirational.”

“I just loved it! –As did the rest of the audience from 8 to 80+. I’ve lived in cities all over the country and have never had the chance to hear such lovely music in such an intimate setting.” J.S.

“The music is beautiful beyond ordinary description. It swells the heart and goes directly to the soul.” G.D.

“Music was played with much power and love by the players.”

“Amazing musicians—Red Cedar and Avalon.” M.P.

“Wonderful variety, superb musicianship, and a personal touch. Fabulous concert.” C.S.

Chamber Music in Silent Films

Pin It on Pinterest

Share This